Why Are All Brush Stroke Art Dragons and Tigers
| What Is Sumi-e? |
| Traditional East Asian Brush Painting by Carla Jaranson |
 | SUMI-Eastward is the Japanese word for Blackness Ink Painting. E Asian Painting and writing developed together in ancient China using the same materials —brush and ink on paper. Emphasis is placed on the beauty of each individual stroke of the brush. The Chinese speak of "writing a painting" and "painting a verse form." A dandy painting was judged on three elements: the calligraphy strokes, the words of the poetry (often with double meanings and subtle puns) and the ability of the painting strokes to capture the spirit (Ch'i) of nature rather than a photographic likeness. The artists of Japan, Korea and Malaysia learned from the Chinese and and so developed their own versions of Eastward Asian brush painting. Sumi-due east in Japanese Calligraphy past Cecil Uyehara |
| THE Iv TREASURES (E Asian Painting Tools) The tools which are essential are called the Four Treasures. These are the ink stick, ink stone, brush and paper. | |
 | Ink Stick and Ink Stone - Asian ink, similar to India Ink, was invented over two grand years ago when carbon soot was collected from the inside of the kilns (ovens) where porcelain dishes were fired (baked). The soot was mixed with some glue, pressed into a solid stick and stale. The stick was rubbed in h2o on a stone with a hollow area carved out. Presto Ink! This ink is permanent and still looks fresh on scrolls that are over 1000 years old. The artists used the fourth dimension of grinding the ink for meditating, collecting their thoughts, warming up the arm, wrist and paw muscles and preparing themselves for writing poetry and/or painting. Depending on how much h2o is used, the artist could grind for v minutes or half an hour. The apartment area of the rock is the "country" and the hollow expanse is the "bounding main". |
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| Brushes - All Eastward Asian brushes have been paw-made using natural materials. Although more than than 20 different brushes may be used, they tin exist divided into three basic types: | |
| • Chocolate-brown hair —made from the hair of weasel, wolf, leopard, badger and other wild animals. They accept stiffer, more resilient beard that retain a sharp point while painting. They are good for bamboo, orchid leaves and some landscape. | |
| • White pilus —made from the hair of goats. The white pilus is soft and pliable, good for painting flowers, birds, some calligraphy and landscape. | |
| • Mixed pilus --a combination of dark-brown and white hairs. | |
 | Paper or Silk - "Rice paper" is really a generic term for many forms of handmade Asian papers made from cotton, hemp, mulberry and various other plants. Woven silk was used for a painting surface even earlier the Chinese invented paper. A finished painting must be wet mounted (pasted) onto another slice of paper to back up and protect information technology. If well done, that process smoothes and flattens the paper, removes wrinkles, folds and often mends some accidental rips. |
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| Castor STROKES AND COLOR The artist must acquire to use ink freely with a controlled brush stroke. They must be able to capture the essence or spirit of the subject in their paintings. To evoke a poetry of nature, brush painters create beautiful lines and forms by means of brush strokes using a number of techniques and methods to bring life to the field of study. The flow and spread of ink on rice newspaper in many shades is an idealization of the form itself. To this basic technique, color may exist added. Sources of this color are plants and minerals including rattan yellow, indigo blue and rouge (plants) and minerals such as powdered jade, white pearl, footing malachite (light-green) and azurite (blue). An integral part of the composition is the carmine seal, which signifies the artist's proper name. Additional seals may be added as indications of the town or philosophy. |
 | CALLIGRAPHY (The Art of Writing) Chinese - Instead of an alphabet of A,B,C, the Chinese use symbols or characters that were originally pictures. At that place are almost 214 basic symbols called radicals that are combined to make over x yard unlike words. Each character represents one word or thought that is spoken with one audio or syllable. Many of the brush strokes for writing and painting are the same. The Chinese are currently simplifying the characters then that more than people can learn to read them. There are many styles of writing each character – standard (similar press), clerical (ancient scribe), running (cursive) and grass (very costless and hard to read). Japanese – At that place are three sets of characters for writing: Sumi-e Society of America in Chinese Characters by Hong Zhang |
Brush painting speaks simply from the power of its basic inspiration. Themes from nature are the subject matter, simply castor painters do not try to imitate, copy or master nature. Rather, they capeesh every attribute of information technology and savour each natural process. They seek harmony with the universe through communion with all things. Artistic dazzler about often lies in that which is natural and has personality. If one looks at these paintings at leisure with thought and open heart, their inner significance will slowly become apparent.
Asian artists learn to paint past copying the Quondam Masters' paintings, stroke by stroke. Only after years of copying is an creative person encouraged to create his own compositions. "The Mustard Seed Garden" is an instruction manual made from wood blocks and printed over three hundred years ago cataloging most of the Former Masters' strokes. An creative person observes nature very closely, but does non attempt to paint a scene "on site." The spirit "Chi" of the scene is reproduced from memory in the artist's studio.
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| The Iv Gentlemen refers to four subjects that most painting students larn first because they include all of the basic strokes. They also correspond the four seasons: |
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| Flowers and Birds can be painted • free fashion - stroke by stroke with shading, ink and/or color • formal way - advisedly outlined and filled in with color. |
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| Mural - The Chinese characters for landscape are -mountain and h2o. Some artists paint the traditional scenes based on Asian scenery. |
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| Mural - At that place are many styles of painting landscape. American artists often pigment scenes inspired by places they visit in the USA. Some artists use only ink as in the examples above. Other artists use potent or subtle colors. See other examples on this website. |
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| Animals is i category of traditional Due east Asian brush painting. Popular subjects include horses, tigers, monkeys, colorful koi, and imaginary dragons. These examples are by and large ink, but there are others that are quite colorful. |
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| Figures is some other category of East Asian brush painting. Paintings of people were some of the earliest done thousands of years ago in Cathay. Artists might apply a few descriptive strokes to create the figure or paint in intense detail and brilliant color. These examples are generally ink with subtle color. |
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Source: http://www.sumiesociety.org/whatissumie.php
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